2011년 10월 26일 수요일

Bodys a wid Tryin' to Defeat the Progress

In Class Writing



     
     Flowers can bloom only after a long endure: Stephen King focused on the bloom itself, when the film tried to show the harsh journey the flower has had until it finally gets to bloom in beauty. The film shows a boy who tries to bloom.

     Spring is filled with pain-pain that follows the new bloom: pain of leaving the familiar, pain of confronting something unfamiliar, and pain of blooming. The boy in the film met his pain of leaving the familiar when the monk ordered him to go back and put the rocks off the animals. What the boy did had been natural and familiar, but the monk said what the boy did was wrong, and that is when the boy feels the pain of leaving his nest. He then goes through the pain of confronting something unfamiliar: the death. The ‘familiar’ world here means the world the boy was in: where the things he did with the fish, frog, and the snake was just a mere joke and they didn’t die, or suffer much. The death of fish and the frog brought the unfamiliar world right upfront the boy, painfully. Pain of blooming- this is the, probably the harshest journey the boy gets to go through- the boy will regret, thinking about how violent he was and how foolish he was, and he will regret again and again. The next scene will probably the boy burying the dead, blood-covered snake: from the start to the end he will shiver in the fear of the violence within himself, and for months he will suffer with the dream of the dead snake. For his whole life he will never forget the bloody image- and that is the result, the bloom- he will never put on jokes like that on animals because now he know the world that was once unfamiliar to him, and the world that is 'real.'
     Flower blooms and that is when it eventually faces the real world. The kid, with the experience, now went one step closer to the real world: that his actions can result in such violence, beyond his intentions.









2011년 10월 7일 금요일

It ain't Coincidental that I Keep it Store in My Mental

Apple without Jobs Forever
By Sol Kim

           Since the death of Steve Jobs on October 5th, 2011, there are conflicting predictions about his death and Apple: some say Apple is in danger of maintaining its statue in world’s electronic market. His death can be fatal, according to them, because he had been the main “idea bank” of the company. They claim that Apple is on the verge of losing to its competing companies such as Samsung. Some disagree-Jobs’ death will not be as influential on Apple’s future as expected.
           Steve Jobs, known for an innovative Apple CEO with his marvelous creativity, passed away two days ago because of pancreatic cancer. Considering Jobs’ health, Apple had changed its CEO from Steve Jobs to Tim Cook on August, 2011. Thus there are expectations that Jobs’ death won’t be so influential to Apple’s future.
           The stock prices of Apple seemed to be stable, also supporting the idea. On October 6, 2011, when Jobs’ death was announced, Apple’s price closed down about -0.23%. Some interpretations say it was because Jobs’ bad health was already known and he had given away his place about two months ago.
 A contrasting fact, however: on October 6th, 2011, Apple introduced a new iPhone – iPhone 4s. Unlike the previous iPhones, the reactions to this one were disappointing - many were dissatisfied. Considering the fact that this was the first one introduced without Jobs’ idea (he was not healthy enough to take care much about the new iPhone, according to SBS), Apple without Jobs seems to be in danger.
           This prediction is supported with the recent market share: smartphones with Android turned out to be popular, and is chasing Apple rapidly. According to eMarketer, a market research company, last year the market share of Apple was 28%, and Android phones were 24%. The company also predicted that this year Android phones will take 37% of the smartphone market, when Apple will get 29%.


My Eyes is for Seein' Somewhere Watchin'




Animal Experimentation: Should it be banned?
By Sol Kim

     Diabetes was a life threatening disease before, but nowadays, thanks to the insulin, they are safe: and insulin would not have been able to help the diabetes patients if there was no animal experimentation. Animal experimentation is needed for humans, thus we should not ban it, and there should be nothing else to be said about it.
     Animal Experimentation is the best option in status quo. There are some alternatives suggested, such as computer simulations or tissue programs. However, those alternatives are inefficient because first, computer simulations are not completely developed and it will never show that people don’t know because all the information it shows is something stored by human. Second, the tissue programs are not adequate for serious and complex diseases such as diabetes: those diseases need mutually working body systems. Third, tissue programs or computer simulations can not build vital organs exactly such as heart or lung. Tissue programs can not produce heart at all.
     Morality is the issue often given by the “moral” side who insists that animal experimentations should be banned. However it is not true: animal experiments are done for the moral purpose: to save humans. As showed above, animal experimentation is the best way to test drugs that are needed for humans and therefore it is in progress. Saving animals and letting humans die is not something that is moral.
     It is so naturalistic, to use other species for the survival of our own. It is like the food cycle: we are using the animals just like they use their preys in order to survive and that is the natural law. Some excessive uses of them are happening in present, it is admitted, but that doesn’t mean animal experimentation should be banned because the status quo can not produce any alternatives.
     Pigs’ tissues and humans’ tissues are only two percent different: current science can not achieve that much similarity. Therefore to save humans, animal experimentations should not be banned, and that is the most moral choice.



2011년 10월 5일 수요일

I Got You All Out For Me


Shawshank Reading Journal 2 (Movie vs. Book)





The Shawshank Redemption (1994) Trailer


Movie vs. Book
What are the major differences?

Characters
Red: In the movie he is a black man, but in the novella it sounds like he's white. He says his name is Red because he is an Irish in the novella. It was really unpredictable: Red as a black.

Warden Norton: In the movie, he is the only warden. However, in the book there were two more before him.  At the end of the film, Andy gives the paperwork-with all of Norton's crimes-to the press and when the police came for him he suicides: he blows out his brain! In contrast, in the novella Norton resigns.

Brooks: In the film, Brooks has a pet bird named Jake, and it is freed when he got paroled. In the Literary Shawshank, the pet bird is some other inmate's bird. Also, Brooks hang himself short after parole in the movie but in the book he dies in 'a home for indigent old folks up Freeport way in 1953 (King, p.49)'.

Tommy Williams: In the book he is transferred to Cashman, a minimum-security prison in order to prevent him from witnessing for Andy. However in the film he is shot by Bryon Hadley, the vicious guard.

Bryon Hadley: In both the movie and the film he is the mean guard, but in the movie he is arrested with Norton( Norton suicides instead of getting arrested) and in the book he gets a heart attack and retires.


Events
Arrival of the New Prisoners: In the movie the old inmates bet on the new prisoners that they cry, but in the book there is no such scene. In the film the one who got beaten up on his first night in Shawshank because he made a loud fuss, crying for home and mom. No such scene in the novella.

The Poster: In the movie it was Rita Hayworth, and there was Raquel Welch when Andy escaped. However in the book the poster was Rita Hayworth, Raquel Welch, and when Andy escaped it was Linda Ronstadt on the hole.

The Escape: 1) The Fake Account: in the movie Andy makes second books for Norton, and he funnels money to a fake identity. When Andy escapes, he uses that identity as his and use the money he had saved until then (on the surface it was for Norton) to fund his new life in Mexico. However, in Stephen King's Shawshank Andy had the fake identity from the beginning: his friend had made it for him, and the money that was saved in front of him was Andy's own money. There is no such second books appeared in the novel.

2) The Specifics: In the movie it shows how Andy escaped through the hole, came out of the river and wear Norton's shoes and his suit, which were carefully packed in a plastic bag. However in the book, there is no definite explanation of how he escaped: only Red's various guesses. Also, it is said in the novel that what did he wear after he escaped was a mistery: Red could not guess it. On the tree beside the river the prisoner's clothes was found (in the book).

The Ending: The movie ends with the scene of Red recognizing Andy, fixing the boat on the lovely beach of Mexico. However, the novel ends with 'hope': hope that Andy's down there, hope that he can make it across the border, hope to see 'my friend', and hope 'the Pacific is as blue as it has been in my dreams'.





"I have not read Stephen King's novella (his first non-horror), but some of the movie's deficiencies, such as the old-fashioned morality tale and portentous messge about camarderie and redemption--must have been in the source material."  
-Emanuel Levy (EmanuelLevy.Com)
If you don't love Shawshank, chances are you're beyond redemption.
-Ian Nathan (Empire Magazine) 







That's Why I Keeps My Deeps in Progress

 Shawshank Reading Journal 


     Free will: that’s it. Andy’s life was ruined with twenty eight years of prison life. What he had made for his life before meant nothing more to him when he was convicted of murder and sent to prison. He was a murderer, a life-sentencer and he would not be able to live the rest of his life like what he had lived before. That is the punishment prisoners get-a completely ruined life, and a ruined piece of art can not be a masterpiece. Once prisoner was a permanent prisoner, and when Brooks obeyed to this rule Andy didn’t: he made his life a masterpiece, finally after a persistent, almost thirty years of effort and hope.
     The whole book is about free will and how humans react upon their destinies. Stephen King introduces the idea of ‘hope’ also, as an indispensable qualification of one acting free will. The destiny that suffocates the prisoners in Shawshank is institutionalizing them to the system of Shawshank. Bathroom time, twenty five minutes after hour, was given for Red and of thirty eight years doing that he always went to the bathroom exactly twenty five after hour. Brooks, who didn’t know what to do after when he was paroled, died after a year of his parole. Shawshank told him what to do, when to pee, when to eat, what to sleep, and everything else. ‘Shawshank was his world,’ and his world was somewhere filled with directions and paved roads.
     Red wrote: ‘My boss didn’t like me. He was a young guy, twenty-six or seven, and I could see that I sort of disgusted him, the way a cringing, servile old dog that crawls up to you on its belly to be petted will disgust a man. Christ, I disgusted myself. But … I couldn’t make myself stop. I wanted to tell him: That’s what a whole life in prison does for you, young man. It turns everyone in a position of authority into a master, and you into every master’s dog. (p.103)’
     A dog was it: what the world made their people. A dog under the master never has to worry about what it should do or where it should sleep: it is already provided by its master, and the dog also can never tell what it wants to have for its lunch. It is because that is also determined by its master. The prisoners were the dogs.
     Andy Dufresne was in that ‘shithouse’ and it that ‘hell’, the place where turns human beings into dogs. He however, did not let himself to be one of the dogs, and instead of letting his master to do it, he handled his life. He was safe from the sisters with his own power: trade with the warden and the guards. He had his own world, the library. He cultivated his own world with endless effort: writing letters for financial support, widening the place, diversifying the kind of books. Mostly, he prepared the life out of prison-he knew he would never end his life in prison, and he will repaint his life. He prepared so meticulously that he had no problems at all after he broke the prison: the fake identity was perfect, and Andy succeeded.
     The tool ‘hope’ also comes up as a main theme of the book. The cover of another book of this has this sentence on it: Fear can hold you prisoner, hope can set you free. Without hope, Andy would have never made his success: after all, he would have never started if he did not hope. Every step he took required him to be hopeful. First, the trial: he was accused of murder-something he never did-right after he saw her wife cheating with some golf pro. It seemed perfectly, that he was the murderer: there were tons of evidences. However at that moment he never gave up-he prepared the false identity, the money, and all the other small plans after he was out of the prison. Second, the twenty eight years in prison-he never gave up his hope that he can get out of the prison. He tried little night by night with his little rockhammers for twenty seven years straight. He was never institutionalized by the ‘four walls’: Shawshank was not his world. Third, when breaking the prison: he was hopeful on the way out-he hoped he could take care of the rats and creatures in the sewer, he hoped he was going to the right place, he hoped he could find the adequate place to get his clothes, he hoped the place he hid his key was the same as twenty eight years before, he hoped the rock was not taken by anyone else, he hoped his key was right there, he hoped his false identity works out. Every step required him hope, and he was qualified. He had his hope of going to Zihuatanejo: a name too pretty to forget for both Andy and Red because it was the place of hope.
     The book illustrates couple of more ideas: such as, the social hierarchy. Andy, who was comparatively in a high social status than anyone else in the prison because he was smart, educated, and rich, turned out to be the one who accomplished his dream and who was the ‘legend’ of the Shawshank. Guys like Red or other uneducated ones can not think smart like Andy did and even though they did, they did not have money or friend like Jim who can prepare them a false identity. They did not have the knowledge Andy had about money and thus they did not have the power. However, Andy did, and that is one of the big reasons he could succeed. The prisoners prepared for high school equivalency tests: it shows how Stephen King thinks the social hierarchy- which determined on how much the person is educated or rich- is important in this society.
     Andy said: “Because guys like us, Red, we know there’s a third choice. An alternative to staying simon-pure or bathing in the filth and the slime. It’s the alternative that grown-ups all over the world pick. You balance off your walk through the hog wallow against what it gains you. You choose the lesser of two evils and try to keep your good intentions in front of you. And I guess you judge how well you’re doing by how well you sleep at night… and what your dreams are like. (p.53~54)” He also said: “what I’m doing in here isn’t all that different from what I was doing outside.” “But I don’t push the pills. I don’t bring them in, and I don’t sell them once they are in. Mostly it’s the screws who do that. (p.53)”
     This is the other issue made: morality. Besides what Andy said, this is my opinion: there is no such thing as a third alternative. Andy did help the pills to be sold, and Andy is indeed a part of the crime. He can never justify himself with the ‘good intention.’ It is a similar problem with, back at the people who worked for Nazis. The ones who pushed the Jews into the trains and camps claimed that they were innocent because they did not intend to kill them, and they just did what they were required to. However they were criminals: they knew the Jews were going to die. Andy knew the money he was washing came from selling pills, but he said nothing. For his case he would not lose his status completely even he refused to take care of those money because money needed to be tax-cared were already plenty. Immoral, what he did, and can never be justified. In contrast, Red was moral: he did not accept requests of dangerous things such as getting the ‘guys who’ll use a knife.’ He did not get them because he knew those will be used to harm-or even kill-someone. Good intentions mean one wants good results, and when Andy knew the results will be pills, his ‘good intention’ was not really good.
     Nevertheless, Andy was a pretty successful character: he had prepared for the ‘hurricane’ and hoped what he had prepared will successfully protect his pictures, and it did. Hope, high social hierarchy with money and education, and most importantly, his will to get over the huge obstacle that seemed to be his unchangeable destiny, allowed him to break out the prison and finally achieve his dream. That made Andy to be happy Peter Stevens in a small hotel of Zihuatanejo, and none of that-especially the strong will of gaining freedom and living his own life-made Brooks dead in a ‘home for indigent old folks up Freeport way in 1953.’ Brooks should have never liked the ‘shithouse.’
     

2011년 10월 4일 화요일

I Just Thank the One for the Miss if They Hear







Group Members: Seohee Kim, Sol Kim, Yoosun Sung

Our Story: Rita Hayworth and the Shawshank Redemption (Andy's journey)

Why we chose it: We found the story interesting-not too obvious but not too difficult.



ACT I

1. Ordinary World: 

Outside the prison

2. Call to Adventure

Trial, charged of murder though he's innocent, sent into the prison

3. Refusal of the Call: 

defends himself, tries to prevent himself from being institutionalized

4. Meeting the Mentor: 

Red

5. Crossing the Threshold: 

breaking the prison


ACT II 

6. Tests, Allies, Enemies:
Tests: sisters, wardens

Allies: Red
Enemies: Samuel Norton(first seemed to be an ally of Andy but soon turned out to be the biggest enemy)

7. Approach to the Innermost Cave:
-As a librarian, Andy planned meticulously about his escape-by washing dirty money of the wardens and letting them have him his own room for almost the entire prison year. 

(Playing the money for the wardens)

8. Ordeal:
Samuel Norton refuses Andy's request to retrial his case, and eliminates the most important evidence(Tommy Williams) that can help prove Andy innocent.

9. Reward:
Getting out of the prison.

ACT III 

10. The Road Back:
He climbs out of the sewer and gets off his prison clothes, gets the key he had hidden twenty eight years ago, go to McNary, sending a postcard to Red.

11. Resurrection:
A happy hotel owner in Zihuatanejo in the name of Peter Stevens, with abundant money.

12. Return With the Elixir:

Leaves a letter to Red, shows that he successfully escaped and achieved his dreams.



















2011년 10월 3일 월요일

Body Implots when it Plots, Holding Shots for Your Knots, Crits

Chain writing(Metafiction)





Press the play button (turn down the volume)





     The place was already in chaos when the police finally arrived. One woman’s wailing dominated all the other sounds in the place; maybe she is his lover or his sister. The man, who seemed to be in the mid thirties, was on the bed. He was in suits, and seemed comfortable; pity that his shirt was all blooded in red. He lied still with his hands calmly on his chest, both of them piled on another. He didn't have his tie on. The whole place was surrounded by the curious crowd.
     The police were there, trying to find a single evidence to solve the problem. Walking around the site, one of them reminded of the accidents happened around ten years ago. His brother, while playing with his friends, was assassinated by someone. The police could not find the evidence and the accident was never solved.
     He walked around the site for more than five hours. He was determined. Finally, he found something that could be the evidence of solving the problem: a dead rat and a piece of watermelon inside the bag beside the dead man. He couldn’t find it before because the bag was under the bed, hidden with the blankets. The police was puzzled, because they didn’t seem to be related at all. To get help, he called his closest friend who works as a secretary in Korean National Science Center.
“The person you are calling is currently busy. Leave a message after the beep……”
    Instead of his friend, the answering machine answered. With a deep sigh the police put his phone back in his pocket. Sealing the watermelon and the rat inside two separate plastic bags, the police had a swift look around the crime scene again. Other cops-his fellows-were already gone for such a long investigation time. Skimming, his eyes rested on an open refrigerator for some time.
     The refrigerator was old; maybe used for more than seven years. In the refrigerator, there were only two bottles of bear and kimchi. One detective was picturing the refrigerator with his camera with a serious look. Keep staring, the detective seemed to find something strange about the scene and the refrigerator. The police shouted when he found the detective.
     “Hey, who are you? Nobody except the police is allowed in this site!”
     “I am a private detective, sir. That woman over there had hired me about five hours before.”
     The detective showed his ID card when the police required him to. The ID card seemed OK, and the police warned him not to touch a thing on the place. The police turned to ask the woman if she hired him or not, and who exactly is she, but when he found the woman still sobbing-now grabbing one hand of the man, not wailing like before but sorrowfully-he suspended his question for later. The beautiful woman was too in sorrow right now. She must have loved him so much.
     The detective finished his picturing, and he walked out of the room. Before going into the huge crowd, he turned back and went to the woman: it seemed like he was telling her something, something about what he have found until now. The woman was now quiet: but the desperate shoulders she had with her head buried deep beside the body of the dead man showed that she was in despair. The detective finished his words, and slowly walked out of the site.
     As he walked out, he slowly placed the blade into his pocket. The blade was plastered with blood. He smiled with his hand touching the other side of the pocket. Another piece of watermelon and another dead rat were in there. Those were the signals of him-the Scissors. That stupid little cop will soon realize what those in his bag mean.
Anyway, woman is such a convenience: nobody dares to touch her when the beauty is crying, when nobody knows who she is. She cried for about five hours and the stiff police didn’t try once to take her out of the site: how convenient!
Her convenience was all used up till her extent. Now the police will ask her who she is, and who she is about the man and soon realize that she has nothing to do with Alex-a young Korean-American, who was once in the Scissors-on the bed.
‘Sorry, Lisa,’ he whispered as he wiped the blood away with his thumb inside his pocket. Then the situation will be easier for the cop and that was not what he wanted. Lisa shouldn’t be something that obstructs him, but something that helps him only. She shouldn't get investigated and give the cops a single piece of information. She shouldn’t and she can’t, never. And now she was there beside the bed, quiet, desperate, and … not breathing anymore.
He smiled.
With the blood still on, the blade was nice and fresh. 
And so did the watermelon with its rat.








































“Done?” Jack asked.
“Yep. That’s all.” Dad answered. “Now, Jack, go to sleep.”
“It is a little freaky, dad.” Jack murmured. “It sounds real, too.”

The curious kid couldn’t stop asking his dad to tell stories before he went to bed. His dad Bill, who seemed to be a marvelous storyteller, had used all of the stories he knew and started to think of a new one. Searching for another story, this one was the one that he finally got: something that seems to be real in his memory but not quite sure what it meant. Anyway the story was finished, and Jack was half asleep.

“A watermelon and a bleeding rat …...”
Bill knew what it meant: the Scissors. And he knew it not just because of the story but because he was once in the Scissors. The story was from his own memory.
He sighed out loud, and it was the very next instant when he felt the cold blade rushing through his body. Jack, run … he murmured in his mouth: the last thing he saw was Jack sleeping in comfort. His body drooped on the chair he was sitting, beside Jack’s bed.

“Sorry, Bill.”

The blade in the dark whispered.













Hello, ladies and gentlemen. Thank you for reading.
You were warned to turn down the volume.
If you didn't, I am sorry, but you were warned.
You were warned.


From the moment you turned on the song, the Scissors are on their way,
chasing 
the song.